Showing posts with label Ivan Goncharov. Show all posts
Showing posts with label Ivan Goncharov. Show all posts

Sunday, August 21, 2016

Read Russia Translation Prize Shortlists & Women in Translation Month

Shortlists for the 2016 Read Russia Translation Prize (the global prize, for all languages) were announced last week for four categories: nineteenth-century classics (three finalists), twentieth-century literature until 1990 (three finalists), contemporary literature (four finalists), and poetry (three finalists). Since Alexandra Guzeva’s article for Russia Beyond the Headlines covers things so well (and since it’s a beautiful beach day!), I’ll send you to her, right here, for all the details.

I do want to add, though, that I’m very excited that Laurus, my translation of Eugene Vodolazkin’s Лавр for Oneworld Publications, is on the very varied contemporary literature list. There are two other English-language translations that are finalists on, respectively, the nineteenth-century and poetry lists: Michael Pursglove’s translation of Ivan Turgenev’s Smoke and Virgin Soil for Alma Classics, and Philip Metres and Dimitri Psurtsev’s translation of I Burned at the Feast: Selected Poems of Arseny Tarkovsky, published by Cleveland State University Poetry Center. It makes me very happy to see this recognition for translations of Tarkovsky’s poetry. It also makes me very happy that this is Laurus’s second shortlist: I was pleasantly surprised to find the translation on the Oxford-Weidenfeld Translation Prize shortlist earlier this year, along with seven other books, including Stephen Pearl’s translation of Ivan Goncharov’s The Same Old Story, published by Alma Classics. The award was shared by Philip Roughton, who translated Jón Kalman Stefánsson’s The Heart of Man for MacLehose Press, and Paul Vincent and John Irons, who translated 100 Dutch-Language Poems for Holland Park Press.


Since August is Women in Translation Month, I want to note a few bits of news about English-language translations of Russian fiction written by women:
  • Melanie Moore’s translation of Tatyana Shcherbina’s Multiple Personalities, published by Glagoslav, was on Read Russia’s contemporary literature longlist. (That longlist, though, is so short it’s short!) Melanie also translated Margarita Khemlin’s The Investigator for Glagoslav; here’s my previous post about The Investigator and here’s a review of Melanie’s translation written by Lori Feathers for World Literature Today.
  • The U.S. edition of Catlantis, written by Anna Starobinets, translated by Jane Bugaeva, illustrated by Andrzej Klimowski, and published here by New York Review Books, will be available in mid-September. I loved this fun kids’ book (previous post), which is already out in the U.K. from Pushkin Press. Catlantis is a wonderful gift for cat lovers of all ages; my previous post includes a rare Lizok’s Bookshelf cat photo.
  • Yana Vagner’s To the Lake, published by Skyscraper Publications, will be out this fall, too, by an unnamed translator. I thoroughly enjoyed the novel, known in Russian as Вонгозеро.
  • Looking back at the post I wrote for the very first Women in Translation month, in 2014, at the invitation of Meytal Radzinski, who writes Biblibio, I found a few items to update. I mentioned, above, Melanie’s translation of Margarita Khemlin’s The Investigator, which is already available and want to mention that Margarita’s Klotsvog (previous post) will be on the way in a couple years, too: I’m translating it for the Russian Library series published by Columbia University Press. My translation of Marina Stepnova’s The Women of Lazarus came out last fall from World Editions and is on the list for the Edinburgh International Book Festival’s First Book Award, along with the aforementioned Laurus plus my translation of Vadim Levental’s Masha Regina, also for Oneworld. And I’m finishing up Marina’s Italian Lessons (known in Russian as Безбожный переулок) for World Editions now (previous post). Some of the other writers I mentioned are already more available in translation now and/or have more books coming soon: Carol Apollonio’s translation of Alisa Ganieva’s The Mountain and the Wall (Праздничная гора) (mentioned here) is already out from Deep Vellum Publishing and Carol’s translation of Alisa’s Bride and Groom (previous post) is on the way. Also: Ludmila Ulitskaya’s The Kukotsky Enigma is out this month from Northwestern University Press, in Diane Nemec Ignashev's translation.
  • Finally, on (yet) another personal note, I think I’ve already mentioned somewhere along the way that I’m working on Guzel Yakhina’s Zuleikha Opens Her Eyes for Oneworld Publications and loving it—one of my favorite aspects of translation is enjoying a book all over again when I translate. Of course there are many phases of “all over again” with all the editing, revising, proofing, correcting, and checking! Which is why I have to love a book (previous post on Zuleikha) to translate it…
  • And now, truly finally, since I could go on and on and but have already written enough and, yes, the beach beckons: several of you have mentioned other books written by Russian women that you’re working on, that will be published in English translation within the next year or two, so I know there’s more to come. I’ll be watching for details on those so I can add them to future translation lists!

Up Next: Ludmila Ulitskaya’s family saga Jacob’s Ladder, Alexander Snegirev’s Faith/Vera, Anna Matveeva’s Vera Stenina’s Envy (Matveeva and Stenina are headed to the beach with me…), and Read Russia results, which will be announced on September 10 in Moscow.

Disclaimers: The usual.

Saturday, June 6, 2009

Happy Birthday to “Наше всё" & Newish Translations

A.S. Pushkin. Today marks 210 years since the birth of Aleksandr Pushkin, the Russian writer also known as “наше всё” (“our everything” or “our all”). (Thanks to Josefina of Russian Blog for the Pushkin birthday reminder.)

The “our everything” tag originated in 1859 with critic Apollon Grigor’ev’s article “Взгляд на русскую литературу со смерти Пушкина” (“A Look at Russian Literature Since the Death of Pushkin”) (a brief Russian piece on the subject or the entire Russian-language Grigor’ev article). The label stuck. I particularly like Pushkin’s Повести Белкина (Belkin Tales), which became the source of my predilection for the Belkin brand of computer cables.

New Translations. I spent a few hours at BookExpo America last week, where I was reminded of several relatively new translations of Russian books. It was nice to see them on display!

Seven Stories Press released Marian Schwartz’s translation of Ivan Goncharov’s Обломов (Oblomov) last December. Schwartz translated the L.S. Geiro version of the original, which Seven Stories calls “definitive.” It was published in 1987.

New York Review of Books introduced a new translation of Andrei Platonov’s Котлован (The Foundation Pit) in April 2009. This translation, too, is based on an edition of the manuscript now considered definitive. I think the most interesting aspect of this translation is that it is the work of Robert Chandler, Elizabeth Chandler, and Olga Meerson… making it Robert Chandler’s second translation of the book. R. Chandler provides background in this Amazon.com comment. (Previous post on The Foundation Pit)

Finally, Ardis Publishing is now part of the Overlook Press, the house that offers Today I Wrote Nothing, Matvei Yankelevich’s translation of selected works by Daniil Kharms (2007). A paperback version will be out at the end of this month. Ardis offers a smallish but varied list of Russian books in translation, including two of my favorites, Vladimir Makanin’s Лаз (Escape Hatch) and Долог наш путь (The Long Road Ahead), plus yet another version of The Foundation Pit, this one translated by Thomas P. Whitney. (Previous post on Makanin’s novellas)

One more “finally”… If you’re looking for Russian books in new English translation and missed last week’s post on the 2009 Academia Rossica prize, here’s a direct link to the PDF of the Rossica Prize brochure. It includes a list of all nominees plus excerpts from the finalists, in Russian and English, making it a particularly fun piece for bilingual reading.

Pushkin on Amazon

The Foundation Pit on Amazon

Marian Schwartz's translation of Oblomov

Baby Pushkin portrait by Xavier de Maistre, 1800-1802