Second place went to Grigory Sluzhitel’s Дни Савелия (Savely’s Days) (previous
post), a favorite from last year that tied as my other top book. Guzel
Yakhina took third place for Дети мои
(Children
of the Volga), a blend of history and fairy tale motifs in a novel
about a Volga German man and his daughter.
Readers’ voting results were a bit different, with Yakhina
winning, Sluzhitel’ coming in second, and Evgeny Vodolazkin taking third for
his Брисбен (Brisbane), a novel about a virtuoso
guitarist coming to terms with a serious medical condition.
I’ve already mentioned that I thought the 2019 Big Book
finalists were a big improvement over the last several shortlists. Looking back
at this year’s list (previous
post), I’m reminded of how much I enjoyed some of the books that didn’t win
any awards at all, especially Evgenia Nekrasova’s Kalechina-Malechina (previous
post) and Alexei Sal’nikov’s Indirectly, but also parts or aspects of almost
all the others. Not everything was to my taste, of course (fortunately!), but this was a year when I
saw merit in every single book. I’m crossing my fingers that next year’s
lists will be even better and particularly hope more women will make the
shortlist. Guzel Yakhina, Linor Goralik, and Evgenia Nekrasova certainly did their
part representing women this year with three very different works, but I’d love
to see more recognition for some of the other women writing good books. This is
particularly important given the Big Book’s relatively high visibility.
Edits: The voting results are detailed on the Год литературы site here.
Edits: The voting results are detailed on the Год литературы site here.
Up Next: The Erofeev and Brik biographies, which I’ll
write about together. Bulat Khanov’s Гнев (Rage or Fury or
something similar…).
Disclaimers and Disclosures: The
usual. I’m a voting member of the Literary Academy, the Big Book Award’s
very big jury. I’ve translated books by two of this year’s award winners and know
other authors whose books were finalists.
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