Sunday, June 14, 2015
So much for timely trip reports about award ceremonies! That doesn’t mean I’m not still thrilled to say, more than two weeks later, that Oliver Ready received the 2015 Read Russia Prize for his translation of Vladimir Sharov’s До и во время, which Dedalus Books published with the title Before and During. I accepted the award for Oliver and am very excited for all involved: for Oliver, for Sharov, whom I met through Oliver, and for Dedalus Books.
Recognizing Oliver felt doubly appropriate because his Crime and Punishment translation was shortlisted for this year’s award, too. Given my interest in contemporary Russian literature, I’m especially happy Oliver won for the Sharov book—the decision came, by the way, through unanimous vote—both because I hope it draws attention to present-day writers and because I read and admired (previous post) Oliver’s translation.
Read Russia commended classics, too, by giving a special jury award to two new translations of Tolstoy’s Anna Karenina: Rosamund Bartlett’s translation was published by Oxford University Press and Marian Schwartz’s by Yale University Press. The jury’s statements on both awards are online here. I should note that this Read Russia Prize was for Russian-to-English translations only.
The Read Russia evening also included a talk from Gary Saul Morson, the man who taught me War and Peace twice: he spoke on the topic of “Because Everyone Needs a Little Russian Literature.” I’d wondered, in a previous post (about the Read Russia shortlist), if Dr. Morson took the title from a Read Russia bumper sticker. He did. My notes about his talk, alas, are even more inadequate than usual, most likely due to a combination of plain old tiredness after three days at BEA and excitement for Oliver.
I am happy to report, though, that, among other things, Dr. Morson quoted from a book by his pseudonym Alicia Chudo, noted the sense of moral urgency that Russian literature conveys, and spoke of literary characters as possible people, a formulation I like very much. Best of all, he read aloud, from translations: when I was a student, undergrad and grad, I didn’t understand why he read aloud to us, but have come to realize in recent years how much his readings helped me learn to hear the shadings of literary voices.
I would be remiss if I didn’t mention that Alex Cigale gave me a copy of the spring/summer 2015 issue of Atlanta Review: Alex edited the issue and it includes four or five or six dozen translations of Russian poems. Alex pulled together a fantastic roster of fifty poets (Shamshad Abdullaev to Ivan Zhdanov, if taken in the Roman alphabet’s A to Z) and several dozen translators, many of whom I know and have heard read from and/or speak about their work. I’ve only read a small sliver of the issue—every time I open the journal, I get happily stuck on Alyssa Dinega Gillespie’s lush translation of a Polina Barskova poem that starts with “Sweetness of the sweetest slumber/Sweet is sweet is sweet is dream” because I love what Alyssa does with rhythm and rhyme—but I can’t wait to read more, poet by poet, translator by translator. Alex reminded me that readers can get tastes of the poems (as well as background) from the Atlanta Review Facebook group, where posts often include lots of links. If you’re looking for very short notes, there’s also Twitter!
Disclaimers: The usual, including work for Read Russia. Thank you to Alex Cigale for Atlanta Review.
Up Next: Trip report, Part Two, BookExpo America book fair and event report. And two books: Eugene Vodolazkin’s Solovyov and Larionov, which I’ll start translating this summer, meaning soon, and Sergei Nosov’s Член общества, или Голодное время (something like Member of the Society or A Time of Hunger), the sad-but-funny story of a man’s life after selling all his Dostoevsky. And then: I’m currently reading Elena Minkina-Taycher’s The Rebinder Effect, which I’m enjoying very much. Rebinder didn’t catch me on several previous tries so I’m glad I kept trying because I’m finding it very, very readable. After that, I’ll be starting my Big Book Award finalist marathon, beginning with Guzel’ Iakhina’s Zuleikha Opens Her Eyes, which I’ve already started…
Sunday, June 7, 2015
Sergei Nosov won the 2015 National Bestseller Award today for his Фигурные скобки (Curly Brackets). Curly Brackets looked like a big NatsBest favorite after racking up a record-breaking 19 points in longlist tallies. Nosov felt due for a major award after having been a finalist for several prizes in recent years, with his Франсуаза, или Путь к леднику (Françoise Or the Way to the Glacier) and Тайная жизнь петербургских памятников (The Secret Lives of Petersburg Monuments).
After enjoying Nosov’s The Rooks Have Flown (previous post) and Member of the Society or a Time of Hunger (to come), I’m looking forward to Curly Brackets, which apparently concerns a Petersburg mathematician who goes to Moscow for a microwizard (micromagician?) convention. I'll add information on voting totals for the finals when the official report appears, but will note that three books shared second place in longlist voting, with six points: Oleg Kashin’s Горби-дрим (Gorby-Dream), Anna Matveeva’s Девять девяностых (Nine from the Nineties), and Alexander Snegirev’s Вера (Vera, a name and noun that translates as Faith).
I’ve only read one of the shortlisted books, and only in part: Snegirev’s Vera, which I liked very, very much but decided I’d rather read in book form, you know, with bound paper. Then again, reformatting might solve my problem, which involves an urge to take lots of notes: I’ve been increasing my electronic reading options and capabilities so I can read thousands of pages for the Big Book Award. One of those books is Matveeva’s Nine from the Nineties, which I’m already looking forward to after reading, last year, several stories from her previous collection, which was also a Big Book finalist.
Disclaimers: The usual.
Up Next: New York trip report, covering BookExpo America and the Read Russia Award. And two books: Eugene Vodolazkin’s Solovyov and Larionov, which I’ll start translating this summer, and the afore-mentioned Sergei Nosov’s Член общества, или Голодное время (something like Member of the Society or A Time of Hunger), the sad-but-funny story of a man’s life after selling all his Dostoevsky.